{"id":1741,"date":"2024-04-04T12:53:38","date_gmt":"2024-04-04T09:53:38","guid":{"rendered":"http:\/\/mahiye.com\/?p=1741"},"modified":"2024-04-04T12:53:41","modified_gmt":"2024-04-04T09:53:41","slug":"nigde-gumusler-antik-sifaevindeki-duvar-tablolari-bize-ne-diyor-4-4-2024","status":"publish","type":"post","link":"https:\/\/mahiye.com\/index.php\/2024\/04\/04\/nigde-gumusler-antik-sifaevindeki-duvar-tablolari-bize-ne-diyor-4-4-2024\/","title":{"rendered":"N\u0130\u011eDE G\u00dcM\u00dc\u015eLER ANT\u0130K \u015e\u0130FAEV\u0130NDEK\u0130 DUVAR TABLOLARI B\u0130ZE NE D\u0130YOR? (4.4.2024)"},"content":{"rendered":"\n

Ulu \u015eifac\u0131 Bac\u0131 Analar\u0131m\u0131z\u0131n resimleriyle dolu olan G\u00fcm\u00fc\u015fler Manast\u0131r\u0131na bir de bizim g\u00f6z\u00fcm\u00fczle bakal\u0131m. Anadolu\u2019yu, Anati-Ulu Yer yapanlar\u0131 yak\u0131ndan g\u00f6relim. <\/strong><\/p>\n\n\n\n

G\u00fcm\u00fc\u015fler\u2019deki D\u00fc\u015fk\u00fcnler Yurdunun duvarlar\u0131 \u015eifac\u0131 Bac\u0131 Analar ve t\u0131p bilginleri Apolloniuslarla doludur. <\/strong><\/p>\n\n\n\n

Buradaki b\u00fct\u00fcn duvar tablolar\u0131 bize T\u00fcrk O\u011fuz t\u00f6resinden halk\u0131na kol kanat geren Tuana (Do\u011fan) Beyleri ve Bac\u0131 Analar\u0131 anlat\u0131yor. Keza, T\u00fcrk mitolojisinin \u00fcnl\u00fc sembol\u00fc olan, bebe\u011fi koruyan kanatl\u0131 Umay Ana Mele\u011fi (Serafim) burada da en yukar\u0131da resmedilmi\u015ftir.<\/strong><\/p>\n\n\n\n

1.TABLO<\/strong><\/p>\n\n\n\n

\u00c7OCUK SEVG\u0130YLE B\u00dcY\u00dcR<\/strong><\/p>\n\n\n\n

Bu tablo, \u00e7ocuk sevgiyle b\u00fcy\u00fcr imaj\u0131d\u0131r; sevgi en b\u00fcy\u00fck ila\u00e7t\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Sevgi, \u00e7ocu\u011fun hayatla ba\u011f\u0131n\u0131 kuvvetlendirir, \u015fifay\u0131 katlar. <\/p>\n\n\n\n

Tablonun verdi\u011fi sevgi mesaj\u0131n\u0131 bilgelerin hareketlerinden anl\u0131yoruz. \u00c7ocu\u011fa g\u00f6sterilen sevgi devinimleri onun ruhunu ne\u015felendirecek, cana can katacak, pozitif frekanslar\u0131 \u00e7ocu\u011fa aktaracakt\u0131r.<\/p>\n\n\n\n

Tabloda, hasta \u00e7ocu\u011fu  tutan hem\u015fire, solunda elinde iki ku\u015f tutan bilge  \u00e7ocu\u011fu ku\u015f sesiyle, m\u00fczikle e\u011flendirmekte olan bilge, sa\u011f\u0131nda ise ete\u011fini kald\u0131r\u0131p indirerek \u201cceee\u2026\u201d diye \u00e7ocu\u011fa \u015faka yapan bilge g\u00f6r\u00fcl\u00fcyor. Gen\u00e7 hem\u015fire de g\u00fcl\u00fc\u015f\u00fcyle bu ne\u015feli sahneye kat\u0131lmaktad\u0131r. Yerde ise bir doktor \u00e7antas\u0131 vard\u0131r.<\/p>\n\n\n\n

Tablonun en yukar\u0131s\u0131ndaki silinmi\u015f tasvir keza Umay Ana mele\u011fi olup y\u00fcz\u00fc tahribat g\u00f6rm\u00fc\u015f haldedir.  <\/p>\n\n\n\n

2.TABLO<\/strong><\/p>\n\n\n\n

BO\u015e M\u0130HRAPTAK\u0130 HEYKEL<\/strong><\/p>\n\n\n\n

Fresklerin en a\u015fa\u011f\u0131s\u0131nda g\u00f6r\u00fclen bo\u015f mihrapta \u015fifac\u0131 ve bilimin hamisi birMelike Bac\u0131 Ana heykeli vard\u0131. Muhtemelen,fonetik d\u00f6n\u00fc\u015f\u00fcmlerle Hikati\/Hekate \/O\u011fuze\/Aksamele\u011fi adl\u0131 heykel ya da Tuana krali\u00e7esi Leyla Zeynep Sultan\u2019\u0131n heykeliydi.Roma\u2019da Palmira\u2019y\u0131 ve Tuana\u2019y\u0131 yerle bir etme karar\u0131 (MS.3.y\u00fczy\u0131l) verildi\u011fi zaman\u0131 i\u015faret etmektedir.<\/p>\n\n\n\n

Benzer bir otac\u0131 kad\u0131n katliam\u0131 1.yy\u2019da Rize\u2019de ya\u015fand\u0131.H\u0131ristiyanl\u0131\u011f\u0131n do\u011fu\u015funda Romal\u0131lar Rize\u2019de 3 bin otac\u0131 kad\u0131n\u0131 b\u00fcy\u00fcc\u00fc-cad\u0131 ilan ederek yakarak \u00f6ld\u00fcrd\u00fc;Ba\u015fo\u011fuzlu kral\u0131m\u0131z\u0131n Rize kalesindeki hazinelerini, ila\u00e7 re\u00e7etelerini ve t\u0131p kitaplar\u0131n\u0131 soymaya gelen 1800 Roma askerini Anzer yaylas\u0131nda delibal tuza\u011f\u0131na \u00e7ekip han\u00e7erleyen Petranl\u0131 (\u0130kizdereli) Amazon kad\u0131nlardan intikam almaya geldiler.<\/p>\n\n\n\n

(bkz.Prof.Murat Arslan, Roma’n\u0131n B\u00fcy\u00fck D\u00fc\u015fman\u0131 VI.Mitridate, biyografi, doktora tezi)<\/p>\n\n\n\n

Ba\u015fo\u011fuzluVI.MitridateEubadore\/Mete O\u011fuz\/Mohti O\u011fuz, panzehiri bulan krald\u0131 ve Mitra\u2019y\u0131 temsil ediyordu, M\u00d6.88\u2019de t\u00fcm Ege\u2019deki Yahudi k\u00f6le tacirlerini k\u00f6lelerine \u00f6ld\u00fcrtm\u00fc\u015ft\u00fc. Bundan cesaret alan k\u00f6leler Roma\u2019da ayaklanma ba\u015flatm\u0131\u015ft\u0131. Roma, H\u0131ristiyanl\u0131\u011f\u0131 devlet dini ilan ederek Mitraizmin yay\u0131lmas\u0131n\u0131 engelledi; Milat ilan etti, tarihi s\u0131f\u0131rlad\u0131. Art\u0131k Mitra(Hilal ve Bo\u011fa) k\u00fclt\u00fcne ait ne varsa yerle bir edilecekti;Mete O\u011fuz\u2019un saraylar\u0131, kaleleri, Hekate\u2019nin heykelleri,dar\u00fc\u015f\u015fifalar, k\u00fct\u00fcphaneler, g\u00f6kbilim evleri, Mitra heykelleri, Petra kaleleri, K\u0131rklar Tepeleri, Mitridate\u2019nin heykelleri, at ah\u0131rlar\u0131, soyuldu yak\u0131ld\u0131.<\/p>\n\n\n\n

Roma,Tuana krali\u00e7emizLeyla Zeynep Sultan\u2019\u0131n Melike Halk\u0131na (Filistin) a\u011f\u0131r ceza verdi. \u00c7\u00fcnk\u00fc, Roma askerini Gazze\u2019den denize d\u00f6km\u00fc\u015f, bu\u011fday ba\u015fa\u011f\u0131 ve hilalli kendi paras\u0131n\u0131 basarak Roma\u2019ya ba\u015f kald\u0131rm\u0131\u015f, bilim adamlar\u0131yla \u00fclkesini y\u00f6netmi\u015fti. Filistin Melike halk\u0131n\u0131n ve Sasani\/\u00c7e\u00e7eni devletimizin T\u00fcrkmeneli eyalet krali\u00e7esiydi, Palmira bilim \u015fehrinin de hamisiydi ve ilk Sasani kad\u0131n halifeydi. Onu esir g\u00f6t\u00fcr\u00fcld\u00fc\u011f\u00fc Roma\u2019da \u00f6ld\u00fcrd\u00fcler(MS.274). Kuca\u011f\u0131ndaki \u00e7ocuk veliaht o\u011flu Hasan\u2019\u0131 ise \u0130stanbul Bo\u011faz\u0131n\u0131 ge\u00e7erlerken denize atarak \u00f6ld\u00fcrd\u00fcler. Hasan\u2019\u0131n yas\u0131na krali\u00e7e Leyla Sultan\u2019\u0131n yas\u0131 eklendi, Anadolu\u2019da Roma\u2019ya nefret katland\u0131. Roma ise, kendilerine y\u00f6nelik nefreti Leyla Sultan\u2019a ait ne varsa yak\u0131p y\u0131karak cezaland\u0131rma yolunu se\u00e7ti. Tuana b\u00f6lgesinin bozlak a\u011f\u0131tlar\u0131 ona yak\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Ni\u011fde G\u00fcm\u00fc\u015fler\u2019deki bo\u015f mihrap bize buradaki heykel ihtimaldir Leyla Zeynep Sultan\u2019\u0131n heykeliydi, diyor. Adana Bebekli Kilisesinde ba\u015f\u0131nda Mitra tac\u0131yla g\u00f6rd\u00fc\u011f\u00fcm\u00fcz kad\u0131n heykeli de onun heykelidir. Mardin Bebekli Kilisedeki \u015eimuni(\u015eamani) Azize heykeli de onundur. A\u011f\u0131tlar\u0131m\u0131zda defterine k\u00f6le yaz\u0131lan Leyla o Leyla\u2019d\u0131r; Ni\u011fde Hasan da\u011f\u0131nda o\u011flunun ad\u0131 vard\u0131r; kocas\u0131 Do\u011fan (Tugana) Beyin ad\u0131 t\u00fcm b\u00f6lgenin ad\u0131d\u0131r. Tuanal\u0131 bir bilge  \u00f6ld\u00fc\u011f\u00fc zaman Mersin Mezitli\u2019deki (Maz Ata-eli) \u00f6zel alana onun ad\u0131na bir mermer dikilita\u015f konulurdu.<\/p>\n\n\n\n

Umay Ana, BACI ANA gibi koruyucu meleklerimizi cad\u0131 ilan ederek heykellerini k\u0131rd\u0131klar\u0131 d\u00f6nemde bu resimdeki Mihrap bo\u015falt\u0131lm\u0131\u015f g\u00f6r\u00fcn\u00fcyor.  Bence bo\u015f mihraptaki heykel, ya Koruyucu Melek Hekate\u2019nin, ya da Melike Leyla Zeynep Sultan\u0131m\u0131z\u0131n heykeliydi. (Not: Filistin halk\u0131n\u0131n antik ad\u0131 Melike Halk\u0131d\u0131r.)<\/p>\n\n\n\n

\u0130stanbul\u2019un ve Selanik\u2019in koruyucu mele\u011fi olarak tarihe ge\u00e7mi\u015f olan Hekate heykellerini k\u0131rd\u0131ran ve binlerce \u015fifac\u0131 kad\u0131n\u0131 \u201cb\u00fcy\u00fcc\u00fcye tap\u0131yorlar\u201d diye iftira atarak  \u00f6ld\u00fcrten Konstantin adl\u0131 bir Bizans kral\u0131 vard\u0131. Annesi Helena i\u00e7in Ni\u011fde\u2019de bir \u015fifaevini kiliseye \u00e7evirmi\u015fti. Bilge kad\u0131nlara d\u00fc\u015fman bir krald\u0131. O da \u00e7ok zarar verdi Dar\u00fc\u015f\u015fifalar\u0131m\u0131za. Hatta Cerrahpa\u015fa kaz\u0131lar\u0131nda ula\u015f\u0131lan mermer s\u00fctunlar o y\u0131k\u0131mlardan kalanlard\u0131r. Orada Cerrahi hekimlik yap\u0131lan Mitra \u015fifahanesi vard\u0131. Hekate\u2019nin heykeli ve Medusa s\u00fctunlar\u0131 orada y\u0131k\u0131lm\u0131\u015f olmas\u0131 gerekir.<\/p>\n\n\n\n

Bence, bo\u015f mihraptaki kad\u0131n heykeli, G\u00fcm\u00fc\u015fler\u2019deki \u015feref tablosunun en \u00f6nemli heykeli Hekate (Fonetik d\u00f6n\u00fc\u015f\u00fcmle O\u011fuze) olabilir. Ba\u015f\u0131nda \u0131\u015f\u0131kl\u0131 tac\u0131yla onun orada olmas\u0131 \u00e7ok yak\u0131\u015facakt\u0131. Ya da hilal ve bu\u011fdayl\u0131 Tuana krali\u00e7esi Leyla Zeynep Sultan\u0131m\u0131z vard\u0131.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

A\u015fa\u011f\u0131daki duvar fresklerinde her bir tablonun bize t\u0131pla ilgili bir mesaj\u0131 var. Bo\u015f mihrab\u0131n da bir mesaj\u0131 var.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Yukar\u0131daki tablolara biraz ayr\u0131nt\u0131l\u0131 bakarsak, mihrab\u0131n sa\u011f \u00fcst\u00fcnde, \u015fifal\u0131 bitkileri kazanda pi\u015firirken ve ormandan getirilen av hayvan\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. Burada avc\u0131n\u0131n rol\u00fc yads\u0131namaz, o da resme girmi\u015ftir.<\/p>\n\n\n\n

Mihrab\u0131n solundaki kanatl\u0131 hem\u015fire mele\u011finin aln\u0131nda ise kanatl\u0131 Umay mele\u011fi sembol\u00fc g\u00f6r\u00fcl\u00fcyor.  T\u0131pk\u0131 yak\u0131n zamana kadar T\u00fcrk hem\u015firelerinin ba\u015f\u0131nda bulunan ortas\u0131nda k\u0131rm\u0131z\u0131 hilalli(k\u0131z\u0131l ay) olan beyaz kep gibidir.<\/p>\n\n\n\n

K\u0131z\u0131l Ay\u2019l\u0131 hem\u015firekeplerimiz2004 y\u0131l\u0131nda sudan sebeplerle kald\u0131r\u0131ld\u0131. Beyaz zemin \u00fczerinde K\u0131rm\u0131z\u0131 Hilal halen (2024) T\u00fcrk K\u0131z\u0131lay\u0131\u2019nda devam ediyor.<\/p>\n\n\n\n

3.TABLO<\/strong><\/p>\n\n\n\n

HASTA \u00c7OCU\u011eUN BA\u015eUCUNDAK\u0130 KE\u00c7\u0130 \u0130LE BO\u011eA\/TOROS<\/strong><\/p>\n\n\n\n

\u00d6nce hasta \u00e7ocu\u011fun annesinin beden dilini okuyal\u0131m; bir eli yumruk olmu\u015f \u00e7enesine dayal\u0131d\u0131r, kara kara d\u00fc\u015f\u00fcn\u00fcyor, \u201c\u00e7aresizim\u201d diyor. Di\u011fer eliyle yard\u0131m dileniyor!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00c7ocu\u011fun ba\u015fucundaki ke\u00e7iyle bo\u011fan\u0131n imaj\u0131na gelince, biri topra\u011f\u0131 s\u00fcrerek bereketi sa\u011flayan, halk\u0131n\u0131 koruyan, bo\u011fa gibi g\u00fc\u00e7l\u00fc olan O\u011fuz (\u00f6k\u00fcz\/Oks) beyinin sembol\u00fc, di\u011feri da\u011f ke\u00e7isidir. Da\u011f ke\u00e7isi, \u015fifas\u0131yla \u00e7ocu\u011fa (s\u00fct\u00fc, y\u00fcn\u00fc, safras\u0131ndaki panzehir ta\u015f\u0131, boynuzu, vd.) ba\u015f \u015fifa kayna\u011f\u0131d\u0131r. Keza, Osmanl\u0131 ar\u015fivlerinden \u00e7\u0131kan \u015eifaiyye kitaplar\u0131nda uzun uzun da\u011f ke\u00e7isinin \u015fifalar\u0131 anlat\u0131l\u0131r.<\/p>\n\n\n\n

Her ikisi de tarih boyunca T\u00fcrklerin sembol\u00fcd\u00fcr; kral Bo\u011fa, krali\u00e7e Geyik ile e\u015fle\u015ftirilir.<\/p>\n\n\n\n

Tablodaki \u00e7aresiz anne, \u00e7ocu\u011funa \u015fifa diliyor; ba\u015f\u0131nda d\u00f6rt yaprakl\u0131 yonca var. Bu yonca sembol\u00fc G\u00fcm\u00fc\u015fler manast\u0131r\u0131n\u0131n avlusunda 2.kat\u0131n duvar\u0131nda var; \u201c\u015fans, \u015fifa, sevgi, umut\u201d demektir.<\/p>\n\n\n\n

Sol tarafta elinde kitapla g\u00f6r\u00fclen bilge (doktor), muhtemelen yapaca\u011f\u0131 tedaviyi hasta \u00e7ocu\u011fun annesine izah ediyorken resmedilmi\u015ftir.<\/p>\n\n\n\n

Dar\u00fc\u015f-\u015eifa ad\u0131n\u0131n k\u00f6kenindeki Darius\u2019a gelince; Artvin O\u011fuzeli Bo\u011fa g\u00fcre\u015flerini ve A\u011fr\u0131 da\u011f\u0131ndaki Bo\u011fa r\u00f6lyefini an\u0131msayal\u0131m. Pers krallar\u0131ndan Kafkasyal\u0131 olan \u00fc\u00e7 hakan Toros O\u011fuz (Darius\/Daryu\u015f\/Dar\u00fc\u015f) en \u00f6nemlileridir. Bo\u011fa, Oks, \u00d6k\u00fcz, Taurus, Darius, Daryu\u015f gibi, hem kral adlar\u0131nda hem da\u011f adlar\u0131nda buluruz. Bu adlar hem isim hem s\u0131fatt\u0131r. Muhtemelen Dar\u00fc\u015f-\u015fifa kelimesinin Fars\u00e7a kar\u015f\u0131l\u0131\u011f\u0131nda da 1.DariusO\u011fuz vard\u0131r.<\/p>\n\n\n\n

Akmenid d\u00f6neminde O\u011fuzlu krallar\u0131m\u0131z\u0131n sembol\u00fc bo\u011fa iken, kral\u0131n e\u015finin sembol\u00fc da\u011f ke\u00e7isidir. Ke\u00e7inin \u015fifalar\u0131 saymakla bitmez. \u00d6rne\u011fin, da\u011f ke\u00e7isinin safra kesesinde bulunan ta\u015flar \u00e7ok de\u011ferli panzehirdir. Ke\u00e7i g\u00fcbresi ayr\u0131ca \u00e7ok de\u011ferlidir. Hac\u0131 Bekta\u015fi Veli tasvirlerinde onun postuna oturur, kuca\u011f\u0131nda yine ke\u00e7i vard\u0131r. Angora Tiftik ke\u00e7isinin y\u00fcn\u00fc de s\u00fct\u00fc de boynuzu da \u00e7ok makbuld\u00fcr. Ankara Ahi devletinin anayasas\u0131nda \u201cDam\u0131zl\u0131k ke\u00e7i sat\u0131\u015f\u0131 yasakt\u0131r\u201d yazar. Sivrihisar K\u0131rklar Tepe\u2019deki antik \u015fifahanede M\u00d6.7.yy tarihli da\u011f ke\u00e7isi resmi vard\u0131r. S\u00fcmer tablolar\u0131nda da keza bo\u011fa ve ke\u00e7i resimleri bulunur. Cumhuriyetimizin ilk k\u00e2\u011f\u0131t 5 TL \u00fczerinde \u00e7ift s\u00fcren bo\u011fa resmi vard\u0131.<\/p>\n\n\n\n

Kafkas da\u011flar\u0131n\u0131n bir ad\u0131 Peria Toros (Kurt Bo\u011fa) da\u011flar\u0131d\u0131r. Keza Tuana b\u00f6lgesini kucaklayan Akdeniz da\u011flar\u0131n\u0131n ad\u0131 Bin Bo\u011fa \/Toros da\u011flar\u0131d\u0131r.<\/p>\n\n\n\n

Antik Frigya\u2019da \u00e7ift s\u00fcren bo\u011fan\u0131n boyunduru\u011fundaki d\u00fc\u011f\u00fcm\u00fc kesmek yasakt\u0131, Gordion\u2019da bu d\u00fc\u011f\u00fcm\u00fc kesen (M\u00d6.332) \u0130skender\u2019e Persler halen Lanetli \u0130skender der.<\/p>\n\n\n\n

4.TABLO<\/strong><\/p>\n\n\n\n

B\u0130LGELERE SAYGI SAHNES\u0130<\/strong><\/p>\n\n\n\n

Bu \u015fifahanede daha \u00f6nce \u00e7al\u0131\u015fm\u0131\u015f olan bilgeleri ellerinde yazd\u0131klar\u0131 kitaplarla resmedilmi\u015f olarak g\u00f6r\u00fcyoruz.  Apollonius t\u0131p bilginleri aile boyu t\u0131p\u00e7\u0131yd\u0131. Bu aileye Filostratus Apolonius denir.<\/p>\n\n\n\n

Filo-str-atus; ard\u0131 ard\u0131na gelen y\u0131ld\u0131z atalar.<\/p>\n\n\n\n

Apollo-nius; Y\u00fcce ak\u0131ll\u0131 uluopa\u2019lar.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

B\u00fct\u00fcn bilgeler bize sa\u011f eliyle \u201cSize s\u00f6yleyecek s\u00f6z\u00fcm var\u201d diyor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u0130slam tarihinde de bu el i\u015faretini Peygamberimizin ailesinde bir elinde kutsal kitab\u0131m\u0131z Kur\u2019an ile g\u00f6r\u00fcyoruz.<\/p>\n\n\n\n

5.TABLO<\/strong><\/p>\n\n\n\n

BACI ANA\u2019NIN SUNDU\u011eU \u015eEREF SAHNES\u0130<\/strong><\/p>\n\n\n\n

Buradaki bilgelik okulunda daha \u00f6nce hizmet vermi\u015f olan akademik kadronun resmedildi\u011fi b\u00fcy\u00fck freski g\u00f6r\u00fcyoruz. Bir aristokrak kad\u0131n\u0131 sunum yaparken g\u00f6r\u00fcyoruz ve duvarda BACY yaz\u0131s\u0131 okunmaktad\u0131r. Bu kad\u0131n \u00f6nemli bir kimse olmal\u0131d\u0131r ve annedir, \u00e7\u00fcnk\u00fc \u00f6n\u00fcnde bir \u00e7ocuk vard\u0131r\u2026 <\/p>\n\n\n\n

Bu tablodaki BACY <\/strong>yaz\u0131s\u0131n\u0131 bug\u00fcn pek\u00e2la okuyabiliyoruz.  Bug\u00fcn de \u201cBACI\u201d dedi\u011fimiz bizim ablam\u0131z, anam\u0131z, bac\u0131m\u0131zd\u0131r, ona sayg\u0131 duyar\u0131z. Resimdeki antik BACY\u2019m\u0131z da \u00e7ok sayg\u0131n birisi olmal\u0131d\u0131r ve eliyle bu okulun \u015feref tablosuna resmedilmi\u015f olan bilgeleri tarihe sunmaktad\u0131r.<\/p>\n\n\n\n

\u00a0\u201cOnlar, buray\u0131 var ettiler, eserler b\u0131rakt\u0131lar. Onlar\u0131 sayg\u0131yla an\u0131yoruz, onlara te\u015fekk\u00fcr ediyoruz<\/strong>\u201d diyor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Muhtemelen yakas\u0131nda yonca nak\u0131\u015f\u0131 olan bilge ki\u015fi en k\u0131demli olan\u0131yd\u0131.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Foto\u011frafta g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi rehber \u201cbu tabloya bak\u0131n\u0131z\u201d diyor. BACI\u2019n\u0131n eli de ayn\u0131!<\/p>\n\n\n\n

BACI Ana yaz\u0131s\u0131n\u0131n yan\u0131ndaki k\u0131saltmada HEKATE\u2019nin imzas\u0131 HK (HP) okunmaktad\u0131r. Her ne kadar H harfi \u00fczerinde oynanm\u0131\u015fsa da se\u00e7ilebilmektedir. Mitra k\u00fclt\u00fcn\u00fcn koruyucu T\u0131p Tanr\u0131\u00e7as\u0131 Hekate ba\u015f\u0131nda hilalle \u00fc\u00e7 tarafa bakan y\u00fcz\u00fcyle \u00fcnl\u00fcd\u00fcr.<\/p>\n\n\n\n

  Bu sunu\u015f tablosunda \u00f6n planda g\u00f6r\u00fclen aristokrat \u015fal\u0131yla bir elit kad\u0131n, herkesin ablas\u0131 \/bac\u0131s\u0131\/ anas\u0131  (BACY) \u00f6nemli ki\u015fi olarak buradad\u0131r. Tuana b\u00f6lgesinin tarihinde an\u0131msad\u0131\u011f\u0131m\u0131z bir kad\u0131n direni\u015f \u00f6rg\u00fct\u00fc vard\u0131, onlar\u0131n ad\u0131 da Bac\u0131 Ana (Bac\u0131lar) \u00f6rg\u00fct\u00fcyd\u00fc. Onlar, Angora tiftik ke\u00e7ilerini \u0130ngilizler ajanlar\u0131n \u00e7almas\u0131ndan korumak i\u00e7in Hac\u0131 Bekta\u015f\u2019ta kurulmu\u015ftu. Onlar Bac\u0131ana ad\u0131n\u0131 nerden alm\u0131\u015flar diye d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde, bu ismi Tuana (Halk\u0131na kol kanat geren Do\u011fan Bey) k\u00fclt\u00fcr\u00fcnden ald\u0131klar\u0131n\u0131 anl\u0131yoruz.<\/p>\n\n\n\n

BACY Ana (bu tablodaki) muhtemelen bu \u015fifahaneyi himaye eden O\u011fuz beyinin (Tuana kral\u0131n\u0131n) e\u015fidir. \u00c7\u00fcnk\u00fc bu t\u00f6re Anadolu T\u00fcrk tarihi boyunca hep b\u00f6yle olmu\u015ftur.  Anadolu\u2019yu da kapsayan Kafkasya, Horasan, \u0130ran, Filistin, Trakya topraklar\u0131nda ya\u015fam\u0131\u015f olan Sumer\/Pers, Akmenid, Ba\u015fo\u011fuzlu, Selevkos, Sasani, Sel\u00e7uklu ve Osmanl\u0131 devletleri d\u00f6nemlerinde yap\u0131lm\u0131\u015f Dar\u00fc\u015f\u015fifalar\u0131n hemen hepsi kad\u0131n sultanlar\u0131n himayelerinde yap\u0131lm\u0131\u015ft\u0131r. Hatta, Ba\u015fo\u011fuzlu Kholkhis  (Eyzi Halk\u0131) prensesi \u015fifac\u0131 MED\u0130A\u2019n\u0131n ad\u0131 bug\u00fcn ila\u00e7 biliminin ad\u0131 olarak \u00fc\u00e7 bin y\u0131ldan beri kullan\u0131lmaktad\u0131r. Di\u011fer yandan, O\u011fuz beyinin (kral\u0131n) ailesini sa\u011fl\u0131kl\u0131 b\u00fcy\u00fctmekle g\u00f6revli g\u00fc\u00e7l\u00fc k\u0131rk \u015fifac\u0131 kad\u0131n, bir tepede K\u0131rklar Tepe ad\u0131yla an\u0131lan \u015fifa evleri kurarlard\u0131, orada yap\u0131lan do\u011fal ila\u00e7lar han\u2019\u0131n ailesine, halka ve askerlerine da\u011f\u0131t\u0131l\u0131rd\u0131. Tarihte Mitridatikom panzehirini kendinde kullanan (M\u00d6.63) Ba\u015fo\u011fuzlu O\u011fuz Ka\u011fan VI.Mitridate\u2019nin biyografi kitab\u0131nda kral\u0131n ge\u00e7ti\u011fi yerde halka ila\u00e7 da\u011f\u0131tt\u0131\u011f\u0131 yazmaktad\u0131r. O ila\u00e7lar\u0131 yapan Rizeli 3 bin \u015fifac\u0131 kad\u0131n\u0131 1.yy\u2019da, H\u0131ristiyanl\u0131\u011f\u0131n do\u011fu\u015funda yakarak \u00f6ld\u00fcrd\u00fcler. Rize K\u0131rklar Tepedeki S\u0131\u011f\u0131rl\u0131k mevkiinden Rize kalesine metro ge\u00e7it iki bin y\u0131l sonra (2024) hen\u00fcz tespit edilmi\u015ftir. Kral\u0131n \u015fifac\u0131 k\u0131z\u0131 t\u00fcrk\u00fclerdeki Bac\u0131 Ana Sare Gelin\u2019in k\u00f6y k\u00f6y dola\u015f\u0131p yazd\u0131\u011f\u0131 ila\u00e7 re\u00e7eteleri bu kaleden Roma\u2019ya ya\u011fmac\u0131 Pompeius taraf\u0131ndan g\u00f6t\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

G\u00fcm\u00fc\u015fler Manast\u0131r\u0131 ile Ma\u00e7ka (\u00f6nceleri G\u00fcm\u00fc\u015fhane\u2019ye ba\u011fl\u0131yd\u0131) S\u00fcmela\/Simele\/Kibele Manast\u0131r\u0131ndaki fresklerin benzerli\u011finden s\u00f6z eden arkeologlar var. Onlara \u00f6neriyorum, bir de MACKA ad\u0131yla olan benzerli\u011fe baks\u0131nlar; SEVG\u0130L\u0130 BAC\u0130, BAC\u0130-KA! Hem de, ikisinde de probiyotik g\u00fcm\u00fc\u015f suyu ile yap\u0131lan \u015fifaya ula\u015f\u0131rlar.<\/p>\n\n\n\n

Bir analiz: Dar\u00fc\u015f- \u015eifa kelimesinin fonetik a\u00e7\u0131l\u0131m\u0131nda Fars\u00e7a Dary\u00fc\u015f (Darius\/Toros) kelimesi g\u00f6r\u00fcl\u00fcr. Bu analiz bizi yeniden G\u00fcm\u00fc\u015fler Dar\u00fc\u015f\u015fifas\u0131ndaki bo\u011fa tasvirlerine g\u00f6t\u00fcr\u00fcr.<\/p>\n\n\n\n

6.TABLO<\/strong><\/p>\n\n\n\n

B\u0130L\u0130M\u0130 KORUYAN BO\u011eA (Toros\/ Dariu\u015f\/Dar\u00fc\u015f)<\/strong><\/p>\n\n\n\n

Solda, elinde havlu tutarak d\u00fc\u015fk\u00fcne hizmet veren bac\u0131 ve ortada rulo halindeki bilimsel bir k\u00e2\u011f\u0131d\u0131 \u00f6n ayaklar\u0131yla korumaya alm\u0131\u015f bir bo\u011fag\u00f6r\u00fcyoruz. Karelerle nak\u0131\u015flanm\u0131\u015f bir \u00f6r\u00fcnt\u00fc var. Kare,\u00a0 mimarinin, m\u00fchendislik biliminin, uyumun ve dengenin sembol\u00fcd\u00fcr.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bo\u011fa ile Akmenid imparatoru Darius O\u011fuz hanedan\u0131n\u0131n ba\u011f\u0131n\u0131 kurmakta fayda var, \u00e7\u00fcnk\u00fc bu Dar\u00fc\u015f \u015eifan\u0131n tarihi oraya uzan\u0131yor. Biraz a\u00e7al\u0131m.<\/p>\n\n\n\n

Mitra k\u00fclt\u00fcr\u00fcn\u00fcn de sembol\u00fc olan Toros\/Bo\u011fatasviri, halk\u0131n\u0131, vatan\u0131n\u0131, bilimevlerini, k\u00fct\u00fcphaneleri ve \u015fifa evlerini koruyan O\u011fuz beylerini\/krallar\u0131n\u0131 ifade eder. Mitra kaleleri ila\u00e7 re\u00e7etelerinin ve t\u0131p kitaplar\u0131n\u0131n sakland\u0131\u011f\u0131 kaleler olup bu kaleye yer alt\u0131 t\u00fcnelleri (metro) ile gidilirdi. Bug\u00fcn fresklerini ele ald\u0131\u011f\u0131m\u0131z G\u00fcm\u00fc\u015fler \u015fifahanesindeki b\u00fct\u00fcn semboller Horasani O\u011fuzlu Pers devleti olan Akmenid \u0130mparatorlu\u011fu d\u00f6nemini i\u015faret etmektedir. Astronomi ve matematikte en b\u00fcy\u00fck ilk bulu\u015flar\u0131n %80\u2019i bu devletin, bor\u00e7 k\u00f6leli\u011fini yasaklad\u0131\u011f\u0131 d\u00f6nemde, \u00f6zellikle Darius O\u011fuz hanedan\u0131 zaman\u0131nda yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Keza Aya Sofia Bilgelik okulu ve Efes Artemis K\u00fct\u00fcphanesi, 1.Darius O\u011fuz\u2019un e\u015fi Ayu\u015fa Hatun 1.Artemis onuruna yap\u0131lm\u0131\u015ft\u0131r. Ayu\u015fa Hatun\u2019un k\u0131rk kad\u0131n askeriyle ota\u011f kurdu\u011fuK\u0131rk Sultan t\u00fcrbesi, Atina seferi s\u0131ras\u0131nda 1.Darius\u2019un ota\u011f kurdu\u011fu Beykoz\u2019dad\u0131r; o\u011flu \u00c7erkez\/Serhaz, Atina seferine giderken buradan kar\u015f\u0131ya sallar \u00fczerinde atlar\u0131yla ge\u00e7mi\u015f, Atina\u2019ya gidip k\u00f6leleri serbest b\u0131rakm\u0131\u015ft\u0131 ve bu nedenle annesinin(Yu\u015fa Hazretleri!)  Ayana olarak ba\u015f\u0131 hilalli heykelleri yap\u0131ld\u0131. \u00c7ok dua alm\u0131\u015f bir annedir. Fars\u00e7a ona Kutlu Asker (Artemis) denilmi\u015ftir.<\/p>\n\n\n\n

Ayana\u2019n\u0131n mezar\u0131 Rize\u2019deki Ayane da\u011f\u0131n\u0131n t\u00fcm\u00fcl\u00fcs\u00fcndedir. Da\u011f\u0131n bir yan\u0131nda K\u0131rklar Tepe k\u00f6y\u00fc vard\u0131r.  Ayane da\u011f\u0131 yamac\u0131ndaki piknik alan\u0131 \u0130sirlik\u2019te (\u0130\u2019si\u011firluk) hen\u00fcz ortaya \u00e7\u0131kart\u0131lm\u0131\u015f \u00fc\u00e7 odal\u0131 bir ma\u011faradan Rize kalesine giden yer alt\u0131 t\u00fcneli (metro\/mitra yolu) dronla g\u00f6r\u00fcnt\u00fclenmi\u015ftir. Bu tespitler Rize tarihini M\u00d6.535 (6.yy) g\u00f6t\u00fcr\u00fcr. T\u0131pk\u0131 Beykoz\u2019daki Yu\u015fa tepesinden K\u0131rklar tepenin alt\u0131nda metro t\u00fcnelleri gibi. Artemis Ayana\u2019m\u0131z\u0131n (Ayu\u015fa) Beykoz\u2019da k\u0131rk kad\u0131n Amazon askeriyle konaklad\u0131\u011f\u0131 tepede halen t\u00fcrbesi vard\u0131r. Oraya gidenler ferahlar. \u00c7\u00fcnk\u00fc k\u00f6leleri ailelerine kavu\u015fturan o evlad\u0131 do\u011furan bu anneye yap\u0131lan dualar bu tepeye yo\u011fun pozitif frekans g\u00f6ndermi\u015ftir, o nedenle buradan ley dalgalar\u0131 ge\u00e7er. Orada ferahlama nedeni budur.<\/p>\n\n\n\n

Bu kutlu annenin Efes Artemisi adl\u0131 alt\u0131n heykelinde, yan\u0131nda da\u011f ke\u00e7isi ve s\u0131rt\u0131nda g\u00fcm\u00fc\u015ften \u00f6r\u00fclm\u00fc\u015f sadak ok sepetiyle ok atmaya haz\u0131r (cidal) resmedilmi\u015ftir. Suriye\u2019de bulunan oturan heykelinin ba\u015f\u0131nda ise hilal vard\u0131r; alt\u0131nda Attosi Torc (Turk Atal\u0131) yaz\u0131l\u0131d\u0131r, yani ona Hilal\u2019in K\u0131z\u0131 denilmi\u015ftir.<\/p>\n\n\n\n

\u00d6zetle, Akmenid \u0130mparatorlu\u011funda krallar Bo\u011fa ile, Anne Sultan ise Da\u011f Ke\u00e7isiyle e\u015fle\u015ftirilmi\u015ftir.  Hatta, Kuran\u2019da ad\u0131 ge\u00e7en \u00e7ift boynuzlu Zulkarneyn tasviri de Akmenid devletinin bor\u00e7 k\u00f6leli\u011fini (faizi) yasaklayan kurucu kral\u0131 1.Kuru\u015f\u2019u ifade eder.<\/p>\n\n\n\n

7.TABLO<\/strong><\/p>\n\n\n\n

UMAY ANALI BA\u015e BACI \/ UMA BA\u015eLI HEM\u015e\u0130RE<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Kanatlar\u0131yla bir Huma Ku\u015fudur, Umay Ana\u2019d\u0131r. Ba\u015f\u0131n\u0131n \u00fczerinde stilize Umay Ana sembol\u00fc se\u00e7ilebilmektedir. Yak\u0131ndan incelendi\u011finde onun da \u00fczerinde \u00fc\u00e7 nokta bulunur; Ant i\u00e7ilen yemindir, \u201c\u0130yilikle d\u00fc\u015f\u00fcn, \u0130yilikle konu\u015f, \u0130yi i\u015fler yap\u201d ve asla yalan konu\u015fma, asla bor\u00e7 alma, der. \u00c7\u00fcnk\u00fc bor\u00e7 al\u0131rsan \u00fc\u00e7l\u00fc yemine sad\u0131k kalamazs\u0131n, der.<\/p>\n\n\n\n

Ayn\u0131 d\u00f6nemde kral Konstantin\u2019in H\u0131ristiyan annesine kilise yapt\u0131rmak i\u00e7in Sille\u2019de tahrip etti\u011fi Dar\u00fc\u015f\u015fifa\u2019daki Umay Analar\u0131 g\u00f6r\u00fcyoruz.\u00a0 A\u015fa\u011f\u0131daki tablolarda, dairenin i\u00e7indeki Ana Melek simas\u0131 yok edilmi\u015f, ya t\u00fcmden silinmi\u015f, ya da kendi annesinin resmini yapt\u0131rm\u0131\u015ft\u0131r (!)\u2026<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Oysa S\u00fcmer Tanr\u0131s\u0131 MA\u2019ya (\u0130\u2019nanna) dayanan Umay Ana Mele\u011fi biz T\u00fcrklerin mitolojik mele\u011finin ad\u0131d\u0131r. Umay, G\u00fcne\u015f demektir. Antik S\u00fcmer Bereket tanr\u0131\u00e7as\u0131 MA\u2019d\u0131r, bebe\u011fi himaye edendir, sirke, yo\u011furt, ekmek gibi probiyotik yiyeceklerin anas\u0131 olan Maya kelimesinin de k\u00f6k hecesidir.<\/p>\n\n\n\n

Mele\u011fin ba\u015f\u0131ndaki Umay Ana amblemi, g\u00fcn\u00fcm\u00fcze kadar beyaz kep \u00fczerinde k\u0131rm\u0131z\u0131 hilal olarak gelmi\u015fti, ancak o da 2004\u2019de yok edildi. Ayn\u0131 sene, Kuru\u015f adl\u0131 param\u0131zdan bu\u011fday resmi, Matematik\u2019ten \u00e7izimli geometri konular\u0131 \u00e7\u0131kart\u0131l\u0131rken, temel fen bilgisi kavramlar\u0131 (a\u011f\u0131rl\u0131k yerine k\u00fctle ve e\u015fyaya varl\u0131k demek gibi) \u00e7arp\u0131t\u0131ld\u0131<\/p>\n\n\n\n

Fresklerdeki hem\u015firenin beden dilini okumaya devam ediyoruz. Umay Ana mele\u011finin sa\u011f elinde y\u00fcz\u00fck parma\u011f\u0131na bast\u0131rarak hitabet durumu var; 3K imaj\u0131d\u0131r;\u201cKalp, Kafa, Kol.\u201d<\/p>\n\n\n\n

Kalp<\/strong>; Ba\u015f parma\u011f\u0131n\u0131 y\u00fcz\u00fck parma\u011f\u0131na dokunan sa\u011f el. Burada asla \u00fc\u00e7l\u00fc imaj yoktur. Y\u00fcz\u00fck parma\u011f\u0131yla kalp aras\u0131nda frekans ba\u011f\u0131 bu dokunu\u015fla kurulur. \u0130\u015fini y\u00fcrekten isteyerek yapmaya haz\u0131r olma hali, motivasyon.<\/p>\n\n\n\n

Kafa:<\/strong> Ak\u0131l, bilgi, zek\u00e2. Eliyle bu i\u015fareti yapan\u0131n genellikle sol elinde kitap bulunur.<\/p>\n\n\n\n

Kol<\/strong>: Beceri, h\u00fcner, el\u2013kol kaslar\u0131n\u0131 kullanmak.<\/p>\n\n\n\n

Bu el i\u015faretini yapan ki\u015fi topluma do\u011frular\u0131 anlatand\u0131r, ona inanman\u0131z\u0131 istemektedir.<\/p>\n\n\n\n

Pedagojik not: E\u011fitim biliminde 3K \u00e7ok \u00f6nemlidir, \u00e7\u00fcnk\u00fc insan beyni bu \u00fc\u00e7 noktadan dola\u015fan enerjiyle zihinsel faaliyet yapmakta, d\u00fc\u015f\u00fcnce \u00fcretmektedir. Antik d\u00f6nemden itibaren bu i\u015faret hem bilgelerin hem de peygamberlerin el i\u015fareti olmu\u015ftur.<\/p>\n\n\n\n

Umay Ana mele\u011finin omzundan inen kanatlara gelince; Huma ku\u015fuyla benzetme yap\u0131lmaktad\u0131r. Ayasofya\u2019daki Umay Ana mele\u011fi ile ayn\u0131 anlamdad\u0131r. Bilimin hamisidir, \u00e7\u00fcnk\u00fc Mitra k\u00fclt\u00fcr\u00fcnde bilim yapmak ibadetti. Burada ba\u015f\u0131 Umayl\u0131 hem\u015fire ile bebe\u011fi koruyan Umay Ana mele\u011fi e\u015fle\u015ftirilmektedir. Aya Sofya\u2019da en yukar\u0131da g\u00f6r\u00fclen kad\u0131n y\u00fczl\u00fc T\u00fcrk Mele\u011fi Serafim (Ser-opa-Ma) ile ayn\u0131d\u0131r. Bu sembol\u00fcn k\u0131z\u0131l hilal olan\u0131 K\u0131z\u0131l Ay olarak \u00fclkemizde hem\u015firelerin ba\u015f\u0131ndayd\u0131.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Yukar\u0131daki foto\u011frafta hem\u015firemizin kepindeki k\u0131z\u0131l hilal maalesef se\u00e7ilemiyor! Ancak antik Umay meleklerinin ba\u015f\u0131n\u0131 \u00e7evreleyen beyaz daire burada \u00e7ok belirgindir.<\/p>\n\n\n\n

1976 y\u0131l\u0131ndan itibaren t\u00fcm hastanelerde koridorlar\u0131 s\u00fcsleyen \u201cSessiz Olun\u201d i\u015fareti veren hem\u015firenin ba\u015f\u0131nda K\u0131z\u0131lay i\u015faretli beyaz kep ve beyaz \u00f6nl\u00fckler 2004 y\u0131l\u0131nda kald\u0131r\u0131ld\u0131. Neyse ki bug\u00fcn k\u0131rm\u0131z\u0131 hilalimiz, T\u00fcrk K\u0131z\u0131lay\u0131\u2019n\u0131n sembol\u00fc olmaya devam ediyor.<\/p>\n\n\n\n

Ancak, onun da deforme edildi\u011fine tan\u0131k oluyoruz, \u00f6rne\u011fin, afet yard\u0131m battaniyesinde k\u0131rm\u0131z\u0131 zemin \u00fczerinde gri soluk hilal yapt\u0131lar (2023). Yard\u0131m hem\u015firesinin ceketinde \u00a0ise do\u011fru resmedilmi\u015ftir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

8.TABLO<\/strong><\/p>\n\n\n\n

D\u00d6RT YAPRAKLI YONCA<\/strong><\/p>\n\n\n\n

Bu sembol G\u00fcm\u00fc\u015fler\u2019de \u00f6n avlunun duvar\u0131ndad\u0131r; \u201cBuraya gelen \u015fifa bulur, \u015fan\u015fl\u0131d\u0131r\u201d diyor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Stilize edilmi\u015f yoncan\u0131n d\u00f6rt k\u00f6\u015fesinde d\u00f6rt hilal se\u00e7ilmektedir. Sa\u011fl\u0131kl\u0131 ya\u015faman\u0131n d\u00f6rt \u015fart\u0131n\u0131 ifade eder: Sevgi, \u015eifa, \u015eans, Umut<\/strong>.<\/p>\n\n\n\n

Buralar\u0131 y\u0131kmaya gelenler bu sembole dokunmam\u0131\u015flar, ama \u00f6yle g\u00f6r\u00fcn\u00fcyor ki onu kendi rahiplerinin yakas\u0131na takm\u0131\u015flar.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

D\u00f6rt yaprakl\u0131 yoncay\u0131 bir di\u011fer tabloda, bilgelerin \u015feref tablosunda en k\u0131demli bilgenin yakas\u0131nda stilize edilmi\u015f halde g\u00f6rm\u00fc\u015ft\u00fck.<\/p>\n\n\n\n

Ayn\u0131 d\u00f6nemde H\u0131ristiyanl\u0131\u011f\u0131n resmi din ilan edilmesiyle ba\u015flayan Dar\u00fc\u015f\u015fifalar\u0131n sembollerinin tahrip edilerek binay\u0131 kiliseye \u00e7evirme modas\u0131 Konya Sille Elena Kilisesinde de kar\u015f\u0131m\u0131za \u00e7\u0131kt\u0131. Kolonlar\u0131n \u00fczerinde Serafim mele\u011fi Umay Ana tasvirleri yerinde dururken, \u00fcst kat balkonlar\u0131ndaki t\u00fcm Umay Ana melekleri tahrip edilmi\u015f haldedir. Ancak alt s\u0131radaki kutsal (yukar\u0131ya a\u00e7\u0131lan) hilallere hi\u00e7 dokunulmad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n\n\n\n

9.TABLO<\/strong><\/p>\n\n\n\n

S\u0130LLE DAR\u00dc\u015e\u015e\u0130FASINDA UMAY ANALAR<\/strong><\/p>\n\n\n\n

Kemer \u00fcst\u00fcnde ba\u015f\u0131 hilalli Umay Ana var. Sonradan kiliseye d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fcn belgesidir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Sille Dar\u00fc\u015f\u015fifas\u0131n\u0131n kubbesinde Umay Ana Mele\u011fi.<\/figcaption><\/figure>\n\n\n\n
\"\"
Ayasofya’n\u0131n kubbesinde Umay Ana Mele\u011fi.<\/figcaption><\/figure>\n\n\n\n
\"\"
Sille Dar\u00fc\u015f\u015fifas\u0131nda hilaller dizi dizi… \u00dcst balkonda ise Umay Analar tahrip edilmi\u015f haldeler (!)<\/figcaption><\/figure>\n\n\n\n

Sille\u2019de hilalleri ve \u015fems (k\u0131rm\u0131z\u0131 daire) motifini yok etmediler, \u00e7\u00fcnk\u00fc Bizans\u2019\u0131n kurucusu Sirkasyal\u0131\/Ba\u015fo\u011fuzlu Bizantilerin (Miz\/Ay anal\u0131lar\u0131n) bayra\u011f\u0131nda da hilal ve g\u00fcne\u015f vard\u0131. Yani, bu Dar\u00fc\u015f\u015fifay\u0131 annesi Elena i\u00e7in kiliseye \u00e7eviren Konstantin\u2019in \u0130stanbul bayra\u011f\u0131nda ay ve g\u00fcne\u015f (sekizli y\u0131ld\u0131z) vard\u0131! \u00d6lmeden az \u00f6nce vaftiz olan krald\u0131r, ancak bor\u00e7 ald\u0131\u011f\u0131 Galata bankerlerinin y\u0131k dedi\u011fi her yeri, \u201cburada kad\u0131na tap\u0131yorlar\u201d diyerek, Selanik, Tuana, Sille ve Cerrahpa\u015fa Dar\u00fc\u015f\u015fifalar\u0131n\u0131 y\u0131km\u0131\u015f, binlerce \u015fifac\u0131 BACI kad\u0131n\u0131 \u00f6ld\u00fcrtm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Bu \u015fifac\u0131 Tuana halk\u0131 3.yy\u2019da sa\u011f kalmak i\u00e7in dinlerini de\u011fi\u015ftirmek zorunda kald\u0131lar ve kader onlar\u0131 \u0130stiklal harbimizin sonunda, yine ayn\u0131 bat\u0131l\u0131 i\u015fgalciler y\u00fcz\u00fcnden, bir kere daha Ege’nin kar\u015f\u0131s\u0131na g\u00f6\u00e7e mecbur etmi\u015ftir.<\/p>\n\n\n\n

Leyla Zeynep Sultan\u0131m\u0131z\u0131 onlardan bor\u00e7 almad\u0131\u011f\u0131 i\u00e7in esir g\u00f6t\u00fcrd\u00fcklerinin yas\u0131n\u0131 t\u00fcrk\u00fclerinde tutmu\u015f Ni\u011fdeli ozanlar. \u0130ki bin y\u0131ldan beri Leyla’l\u0131 t\u00fcrk\u00fclerde ve bir Ni\u011fde bozla\u011f\u0131nda Zeynep\u2019e a\u011f\u0131t duyar\u0131z: <\/p>\n\n\n\n

\u015ead olup g\u00fclm\u00fcyor kalbi yasl\u0131d\u0131r \/ Karl\u0131 da\u011flar gibi ba\u015f\u0131 pusludur Zeynebin, oy Zeynebin oy\u2026<\/strong><\/p>\n\n\n\n

Ela g\u00f6zler nemli kirpik \u0131sl\u0131d\u0131r \/ D\u00fc\u015fm\u00fc\u015f havara yolu Zeynebin, oy Zeynebin oy\u2026<\/strong><\/p>\n\n\n\n

Orta\u00e7a\u011fda bat\u0131ya do\u011fru g\u00f6\u00e7e mecbur edilen Tuanal\u0131 ve Do\u011fu Karadenizli canlar, cana can veren, \u015fifa da\u011f\u0131tan o g\u00fczel insanlar gittikleri yerde \u015fifa bildikleri i\u00e7in orada da b\u00fcy\u00fcc\u00fc ilan edilerek yak\u0131larak \u00f6ld\u00fcr\u00fcl\u00fcyorlard\u0131. Avrupa\u2019da k\u0131y\u0131da k\u00f6\u015fede onlardan kalanlar bulursunuz. Bug\u00fcn, Fransa\u2019n\u0131n Ogzidan (Eyzi\/O\u011fuzi Canlar\u0131) da\u011fl\u0131k b\u00f6lgesinde halen Lazca konu\u015fan k\u00f6yler vard\u0131r. Britanya\u2019da Keltler i bulursunuz. Bir ek; \u00a0Lazlar\u0131n antik ad\u0131 ise CAN\u2019lard\u0131r.<\/p>\n\n\n\n

Foto\u011frafa d\u00f6nelim. Yukar\u0131ya bakan hilalimizi halen cami kubbelerimizde, minarelerimizde ve \u00fc\u00e7 biti\u015fik hilal olarak T\u00fcrk cenaze arabalar\u0131nda g\u00f6rebiliyoruz. Ancak cenaze arabalar\u0131nda 2004\u2019den itibaren hilaller sar\u0131 renkten beyaz soba boyas\u0131na \u00e7evrilerek tahrif edilmeye ge\u00e7ilmi\u015f, ayr\u0131ca dinler bulu\u015fmas\u0131 ad\u0131 alt\u0131nda hilalimizi e\u011frilterek bozmalar ba\u015flam\u0131\u015ft\u0131r.<\/p>\n\n\n\n

2004\u2019de Kuru\u015f adl\u0131 madeni param\u0131zdan bu\u011fday (bereket) sembol\u00fcn\u00fcn kald\u0131r\u0131lmas\u0131n\u0131, matematik kitaplar\u0131ndan \u00e7izimli geometrinin (bilimin) kald\u0131r\u0131lmas\u0131n\u0131, bilimd\u0131\u015f\u0131 s\u00f6zde okuma yazma \u00f6\u011fretimini, k\u00f6t\u00fcl\u00fck resimleriyle doldurulmu\u015f okul kitaplar\u0131n\u0131, yer alt\u0131 servetlerimizin, ormanlar\u0131n, derelerin ald\u0131\u011f\u0131m\u0131z borca kar\u015f\u0131l\u0131k yabanc\u0131 \u015firketlere pe\u015fke\u015f \u00e7ekilmesini g\u00f6rd\u00fck.  Benzerli\u011fi a\u00e7\u0131s\u0131ndan s\u00f6ylemek gerekirse, 3.y\u00fczy\u0131lda Roma\u2019dan bor\u00e7 ald\u0131k\u00e7a yap\u0131lanlar ile bug\u00fcn d\u0131\u015f bor\u00e7 katland\u0131k\u00e7a yap\u0131lanlar aras\u0131nda hi\u00e7 fark yoktur.<\/p>\n\n\n\n

Zek\u00e2n\u0131n ulu a\u011fabeyi Tuanal\u0131 Bilge Apollonius 1.yy\u2019da \u015f\u00f6yle demi\u015f:<\/p>\n\n\n\n

\u201cSiz ey Aspendos\u2019un Romal\u0131 zenginleri. Topra\u011f\u0131 kendinizin zannettiniz; oysa toprak hepimizindir. Ger\u00e7e\u011fi s\u00f6yledim diye beni hapse att\u0131n\u0131z; ya s\u00f6ylemeseydim daha k\u00f6t\u00fcs\u00fc ne olabilirdi!\u201d<\/strong><\/p>\n\n\n\n

\u015eimdi, BACY Analar\u0131m\u0131zdan ve Apollonius\u2019lar\u0131m\u0131zdan iki bin y\u0131l sonra \u201cGer\u00e7e\u011fe H\u00fc\u00fc\u00fc..\u201d<\/p>\n\n\n\n

Ni\u011fde G\u00fcm\u00fc\u015fler DAR\u00dc\u015e \u015e\u0130FASINI VAR EDEN BACI ANALARIMIZA SAYGILARLA!<\/p>\n\n\n\n

4.4.2024 \/Rize<\/p>\n\n\n\n

Mahiye Morg\u00fcl<\/p>\n","protected":false},"excerpt":{"rendered":"

Ulu \u015eifac\u0131 Bac\u0131 Analar\u0131m\u0131z\u0131n resimleriyle dolu olan G\u00fcm\u00fc\u015fler Manast\u0131r\u0131na bir de bizim g\u00f6z\u00fcm\u00fczle bakal\u0131m. Anadolu\u2019yu, Anati-Ulu Yer yapanlar\u0131 yak\u0131ndan g\u00f6relim. G\u00fcm\u00fc\u015fler\u2019deki D\u00fc\u015fk\u00fcnler Yurdunun duvarlar\u0131 \u015eifac\u0131…<\/p>\n

Devam\u0131n\u0131 OkuN\u0130\u011eDE G\u00dcM\u00dc\u015eLER ANT\u0130K \u015e\u0130FAEV\u0130NDEK\u0130 DUVAR TABLOLARI B\u0130ZE NE D\u0130YOR? (4.4.2024)<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[1],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/posts\/1741"}],"collection":[{"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/comments?post=1741"}],"version-history":[{"count":1,"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/posts\/1741\/revisions"}],"predecessor-version":[{"id":1766,"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/posts\/1741\/revisions\/1766"}],"wp:attachment":[{"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/media?parent=1741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/categories?post=1741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mahiye.com\/index.php\/wp-json\/wp\/v2\/tags?post=1741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}